Friday 23 September 2016


STILL Game producers got together with the world-renowned BBC Scottish Symphony Orchestra to make the new title music for the show.
And they engaged the services of BAFTA award-winning TV & film composer Ben Foster.
Recorded last week at the City Halls in Glasgow, home to the BBC SSO, Foster arranged and orchestrated the new titles, re-recording the Frank Chacksfield song ‘Cuban Boy’.

The track has long been associated with the Still Game series since its debut in 2002, originally using a version by The Cuban Boys.
The new title music was conducted by BAFTA award-winning British composer, Ben Foster whose TV and film credits include Doctor Who Live, Torchwood, Prometheus and The Grey, amongst others.

The iconic opening titles of Still Game which see evergreen pensioner pals Jack Jarvis and Victor McDade (Ford Kiernan and Greg Hemphill) age through the years, have also been reshot for the new much-anticipated seventh series.
The new titles remain faithful to the original style seeing Jack and Victor through the ages from schoolboys, to teens and adults in the 60s, 70s, 80s to the present day.

Jacqueline Sinclair, Producer, said: “Jack and Victor may not have aged and the original titles have been fabulous for 14 years but as the whole series is getting a polish, we really needed to make the titles sparkle for HD widescreen televisions too. The re-recording of the title music has been the icing on the cake and it really did bring a tear to my eye to hear it being performed live!”

Joan Morrison, Orchestra and Events Manager for the BBC SSO, added: “We are thrilled to be a part of the new series of Still Game and had great fun recording the soundtrack. The orchestra plays a vital role in contributing to programmes across the BBC, entertaining and enlightening audiences throughout Scotland, the UK and beyond.”
After a nine year hiatus, Still Game returns to BBC One on Friday October 7.

- Posted with love from Scotland by


  1. This comment has been removed by the author.

  2. these two mens are really talented who made game title and music, it is an art to make music of the game and titles, I am all that much satisfied with the substance you have said. I needed to thank you for this extraordinary article.

  3. At the time computer games had risen as a famous type of amusement in the late 1970s (the brilliant time of arcade computer games and second-era comforts), music was put away on physical medium in simple waveforms, for example, conservative tapes and phonograph records. Such parts were costly and inclined to breakage under overwhelming use making them not as much as perfect for use in an arcade bureau, however in uncommon cases, they were utilized (Journey). A more reasonable technique for having music in a computer game was to utilize computerized implies, where a particular PC chip would change electrical driving forces from PC code into simple sound waves on the fly for yield on a speaker. Sound impacts for the diversions were likewise created in this mold.

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